Understanding The Liability of Net Marketplaces in Copyright Infringement.

INTRODUCTION

Non-Fungible Tokens (NFTs) are the representation of ownership of an underlying asset on a blockchain. The asset is linked to the blockchain, and since each block of the blockchain is unique in its identity, it makes the NFT exclusively available only to the owner of the NFT. Thus, tokens are non-fungible as they cannot be exchanged for another token, such as, for example, a hundred rupee bank note. In the case of banknotes, all the hundred rupees notes have the same value and are ideally substitutable. However, in the case of the NFTs, the tokens have unique identities and are thus non-fungible.

NFT[Image source:Freepic]
In other words, an NFT is a digital manifestation of an asset, deriving its value from that underlying asset. Thus, the value of an NFT is essentially equivalent to the value of the asset embedded in the NFT. Hence, an NFT of a work of a renowned artist will undoubtedly be higher in value when compared to the NFT of a meme. Since the NFTs are essentially created for the sale of the underlying work, they attract similar provisions of the copyright as any other conventional work. This piece discusses the liability of the marketplaces in case of copyright infringement made during the trade of the NFTs.

NFT MARKETPLACE- HOW IT WORKS

NFTs are purchased and sold on an NFT marketplace. These marketplaces host the NFTs and facilitate the creation, hosting, sale and purchase of the NFTs. The NFT marketplace is comparable to other marketplaces, and intermediaries like Amazon and Facebook, where the individuals host their contents and the purchaser access them for purchase.

Further, it is essential to understand that the underlying asset of the NFT is saved not on the blockchain itself but on a third-party file-saving platform. An instance of the work, i.e. the link of the said work, is then linked to the blockchain to make the system efficient, lighter and faster.

HOW CAN NFTS INFRINGE COPYRIGHT?

The underlying asset in the NFT can be any work as mentioned under section 2(y) of the Copyright Act. Under the Act, the ‘work’ includes a literary, dramatic or artistic work. NFTs tokenise the work and convert it into a digital form. Thus, any work which is copyrightable under section 13 of the copyright act and forms the basis of the NFT is protected under the copyright act. Section 13 of the copyright act includes broadly 3 classes of work, namely,

i. Original literary, dramatic, musical and artistic works;
ii. Cinematograph films;
iii. Sound recording.

From the face of the section and nature of NFTs , musical, cinematographical and literary works are protected by the copyright act. However, the large NFT market is based on memes and artworks. Safe for such NFT producers, these types of work are protected under the meaning of ‘artistic work’. Section 2(c) defines the ambit of ‘artistic work’. Such work includes, among other things, painting, drawing, photograph, whether or not any such work possesses artistic quality etc. Further, a ‘photograph’ includes any work produced by any process analogous to photography but does not include any part of a cinematograph.
It is thus evidently clear that memes, arts, drawing, animations etc., all fall under the classification of work as defined under section 13 of the copyright act and are protected under it. Further, since NFTs are a digital manifestation of work, it is analogous to the work itself and thus attracts infringement clauses of the Copyright act.

For instance, a person who is not the owner of a copyrighted work creates an NFT of the same and reproduces the same as mentioned under section 51 of the copyright act shall be said to be infringing the copyrighted work. However, the contentious point is the liability of the marketplace when a seller puts up infringing material on it for sale. Whether the marketplace shall be liable for publishing the material or shall they have a defence of being an intermediary under the IT Act, 2000?

DISCUSSING THE LIABILITY OF ONLINE MARKETPLACES

However, before the question of liability is examined, the online marketplaces’ role must be examined. The online marketplace of NFTs felicitates the sale and purchase of the NFTs. The marketplaces like Openseas, Superare, and Bored Ape Yacht Club do not create, or more technically valid, ‘mint’ the NFT. These marketplaces act as a medium between the creators of the NFTs and the purchaser. The process is autonomous from the marketplaces’ side, and the content is not approved or accepted by them. Therefore, it shall still be the creator of the NFT who shall be primarily liable for any infringement of the copyrighted work.

However, the copyright act also provides that publication of the copyrighted work is also an infringement. Section 51(a) provides as follows,
“Section 51. When copyright is infringed. -Copyright in work shall be deemed to be infringed-

(a) when any person, without a licence granted by the owner of the copyright or the Registrar of Copyrights under this Act or in contravention of the conditions of a licence so granted or of any condition imposed by a competent authority under this Act-

(i) does anything, the exclusive right to do which is by this Act conferred upon the owner of the copyright, or

(ii) permits for profit any place to be used for the communication of the work to the public where such communication constitutes an infringement of the copyright in the work, unless he was not aware and had no reasonable ground for believing that such communication to the public would be an infringement of copyright; or

(b) When any person –
makes for sale on hire, or sells or lets for hire, or by way of trade displays or offers for sale or hire, or

Distributes either for the purposes of trade or to such an extent as to affect prejudicially the owner of the copyright, or

By way of trade exhibits in public, or
Imports [***] into India, any infringing copies of the work:”

Thus from the cursory reading of the Act, it can be understood that the publication of copyrighted material can lead to infringement. An NFT marketplace can be, according to the copyright act, said to be liable for infringement since it “permits for profit any place to be used for the communication of the work to the public.” The phrase ‘any place’ in the modern context also includes the webpages and the internet. This way, the marketplaces can be held accountable for every infringing content uploaded on their website.
However, the IT Act, 2000 provisions protect the interests of the marketplaces. Marketplaces can be categorised under the broad meaning of the construct ‘online intermediary’. The intermediary has been defined under section 2(w) of the IT act, 2000, which defines it as “any person who on behalf of another person receives, stores or transmits that record or provides any service with respect to that record and includes telecom service providers, web-housing service providers, search engines, online payment sites, online auction sites, online market places and cyber cafes”.

The liability of an intermediary is stated under section 79 of the Act, which is said to be “safe harbour” provision since it provides conditional immunity from third-party liabilities to the intermediary.

Section 79(1) of the IT, Act intermediaries a conditional immunity concerning any third party information, data or communication link made available or hosted by them, which is subject to sections 79 (2) and 79 (3) of the Act. Section 79(2) protects the intermediary whose role is technical, automatic and passive, with no knowledge or control over the content transmitted.

In the case of NFT marketplaces, the system is such that the platform is open for any creator to mint an NFT and sell it on the platform in exchange for a small commission. The marketplace does not control or have knowledge of the content uploaded to the website. The process is automatic, and the role of the marketplace is only technical and passive. Thus the marketplace can escape the liability of copyright infringement even if it openly and publically publishes the infringing content. They are treated as intermediaries and are thus protected under section 79 of the IT Act, 2000.

CONCLUSION

Even when the NFTs are not themselves copyrightable, the content of the NFTs is well protected under the regime of the copyright act. Since the NFTs are a digital manifestation of the underlying asset, they are generally treated equivalent to the asset or the work itself for the purpose of the Copyright Act. Thus NFT of a copyrightable work made or used without authorisation leads to infringement. Strictly following the copyright act, not only the creator of the NFT is liable for infringement, but the marketplace can also be held accountable for such infringement, given the publishing nature of these websites.
However, the construct of ‘intermediary’ created by the IT Act, 2000 protects the interests of the marketplaces, which are only technically and passively involved in the process of publishing the content. Nonetheless, Section 79(3)(b) provides for a “notice and takedown” rule, wherein the intermediary is required to take down unlawful content upon receiving actual knowledge of its

Author: Yash Vardhan,  in case of any queries please contact/write back to us via email to chhavi@khuranaandkhurana.com or at IIPRD.

Leave a Reply

Your email address will not be published.

ten − one =

Archives

  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • December 2019
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • April 2014
  • March 2014
  • February 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013
  • September 2013
  • August 2013
  • July 2013
  • June 2013
  • May 2013
  • April 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • September 2011
  • August 2011
  • July 2011
  • June 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • December 2010
  • September 2010
  • July 2010
  • June 2010
  • May 2010
  • April 2010